Josh Herman
“We over-focus on thinking. My work is about emotions, the senses and paying attention to what is being expressed in the moment ”
Artist Statement
I embrace the accidental; flux and uncertainty are emblematic of the limitations of engineering clay. Because of the inherent challenges of working with clay, I see unexpected results as some of the most creative moments. As an artist, I work in tandem with the clay and glazes to create the final result. The artist as collaborator with his medium is central to my process.
My work philosophy draws on Expressionism and a visceral relationship with nature. The process, and creative impetus are guided not by the cerebral realm, but by being in the body, by feeling and sensing versus thinking. I believe that we have lost our connection with the natural world, that we over-think everything—including art.
I use clay as a vehicle for self-discovery. Sensual, organic, and tactile, sculptures are a direct reflection of this perspective. I listen; the clay gives me answers. I pay attention receiving feedback and information from the clay. I respond to the exploration in front of me. The piece is there, I just have to uncover it.
My work is a commentary on a more mindful way of living—a statement that I hope will connect the viewer to their experiences, to feel and observe the world around them. I also hope that my work gives an opportunity to notice feelings that occur when in the presence of my sculptures. Expression, mindfulness, intuition, and sensuality are at the heart of my philosophy, process and finished work.
